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• 

  SHURE – SM 98

  Hire

  • $18.00

  <strong>Features:</strong> <ul> <li>Smooth wide response for accurate sound reproduction across the entire audio spectrum</li> <li>Symmetrical cardioid pattern, uniform with frequency out to 20 kHz, maximizes gain before feedback, minimizes need for isolation when picking up single instruments out of a group</li> <li>Switch-selectable 12 dB/octave low-frequency cutoff permits tailoring response to suit particular instruments or room conditions</li> <li>Very high SPL capability</li> <li>Very low distortion and high output clipping level</li> <li>Phantom powered by a range of voltages, from 11 to 52 Vdc</li> <li>Low susceptibility to RFI, electrostatic and electromagnetic hum</li> <li>Rugged construction of microphone and preamplifier for outstanding reliability</li> <li>Detachable cable at both microphone and preamplifier</li> <li>Usable over very wide range of temperature and humidity</li> <li>Supplied with unique swivel adapter for mounting on conventional microphone stands or goosenecks</li> <li>Optional accessories to increase microphone’s versatility include: A98MK, Drum Kit; A98-G18, Gooseneck Adapter; A98HA, Hanging Adapter; A98PF, Pop Filter</li> </ul>

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• 

  SHURE – BETA 87

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  • $12.60

  <strong>Features:</strong> <ul> <li>Smooth frequency response with gradual presence rise</li> <li>Highly consistent supercardioid polar pattern provides superior gain-before-feedback</li> <li>Electronic low-frequency roll-off compensates for proximity effect</li> <li>Wide dynamic range (117 dB) and low distortion characteristics</li> <li>Very low susceptibility to RFI and electromagnetic hum</li> <li>Advanced cartridge shock-mount system absorbs mechanical shocks and reduces handling noise</li> <li>Built-in pop filter reduces undesirable wind and breath sounds</li> <li>Legendary Shure quality and reliability</li> </ul> <strong>Specifications:</strong> <ul> <li>Type: Condenser (electret bias)</li> <li>Frequency Response: 50 to 20,000 Hz</li> <li>Polar Pattern: Supercardioid</li> <li>Phantom power required?: Phantom Supply Requirement: 11 to 52 Vdc, positive at both pins 2 and 3, Current Drain: 1.0 to 1.2 mA</li> </ul>

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• 

  AUDIO TECHNICA – 4041 CARDIOID CONDENSER MICROPHONE

  Hire

  • $18.00

  <table class="productlist lists"> <tbody> <tr> <td class="specs">ELEMENT</td> <td>Fixed-charge back plate, permanently polarized condenser</td> </tr> <tr> <td class="specs">POLAR PATTERN</td> <td>Cardioid</td> </tr> <tr> <td class="specs">FREQUENCY RESPONSE</td> <td>20-20,000 Hz</td> </tr> <tr> <td class="specs">LOW FREQUENCY ROLL-OFF</td> <td>80 Hz, 12 dB/octave</td> </tr> <tr> <td class="specs">OPEN CIRCUIT SENSITIVITY</td> <td>-36 dB (15.8 mV), re 1V at 1 Pa</td> </tr> <tr> <td class="specs">IMPEDANCE</td> <td>100 ohms</td> </tr> <tr> <td class="specs">MAXIMUM INPUT SOUND LEVEL</td> <td>145 dB SPL, 1 kHz at 1% T.H.D.</td> </tr> <tr> <td class="specs">DYNAMIC RANGE (typical)</td> <td>121 dB, 1 kHz at Max SPL</td> </tr> <tr> <td class="specs">SIGNAL-TO-NOISE RATIO</td> <td>70 dB, 1 kHz at 1 Pa</td> </tr> <tr> <td class="specs">PHANTOM POWER REQUIREMENTS</td> <td>48V DC, 3.2 mA typical</td> </tr> <tr> <td class="specs">SWITCH</td> <td>Flat, roll-off</td> </tr> <tr> <td class="specs">WEIGHT</td> <td>4.2 oz (120 g)</td> </tr> <tr> <td class="specs">DIMENSIONS</td> <td>6.28" (159.5 mm) long, 0.83" (21.0 mm) body diameter</td> </tr> <tr> <td class="specs">OUTPUT CONNECTOR</td> <td>Integral 3-pin XLRM-type</td> </tr> <tr> <td class="specs">ACCESSORIES FURNISHED</td> <td>AT8405a stand clamp for 5/8"-27 threaded stands; AT8159 windscreen; protective carrying case</td> </tr> <tr> <td class="specs">AUDIO-TECHNICA CASE STYLE</td> <td>S1</td> </tr> </tbody> </table>

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• 

  SHURE – KSM 109

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  • $18.00

  <strong>Features:</strong> <ul> <li>Incredibly smooth high end and tight, controlled bass</li> <li>Extended 20Hz-20kHz frequency response</li> <li>Tight cardioid pattern</li> <li>Transformerless Class-A preamp circuitry</li> <li>Switchable -15dB pad</li> </ul>

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